翻訳と辞書
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・ Why Don't You Love Me
・ Why Don't You Love Me (Beyoncé song)
・ Why Don't You Love Me (Hank Williams song)
・ Why Don't You Play in Hell?
・ Why Don't You Spend the Night
・ Why Don't You Try
・ Why Don't You Want My Love?
・ Why Don't You?
・ Why Dontcha
・ Why Dontcha Call Me No More
・ Why England Slept
・ Why Five
・ Why Freud Was Wrong
・ Why Georgia
・ Why Get a Divorce?
Why Girls Go Back Home
・ Why Girls Leave Home
・ Why Girls Love Sailors
・ Why Girls Say No
・ Why Goodbye
・ Why Has Bodhi-Dharma Left for the East?
・ Why Have I Taken Up the Struggle Against Bolshevism
・ Why Have There Been No Great Women Artists?
・ Why Have You Left the One You Left Me For
・ Why Haven't I Heard from You
・ Why He Gave Up
・ Why Horror?
・ Why Hurry
・ Why I Am
・ Why I Am a Separatist


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Why Girls Go Back Home : ウィキペディア英語版
Why Girls Go Back Home

''Why Girls Go Back Home'' is a lost〔(''Why Girls Go Back Home'' at Arne Andersen's Lost Film Files:''Warner Brothers films - 1926'' )〕〔(The Library of Congress American Silent Feature Film Survival Catalog: ''Why Girls Go Back Home'' )〕 1926 silent film comedy produced and distributed by Warner Bros. James Flood directed and Patsy Ruth Miller and Clive Brook starred. Myrna Loy has a feature role. The film is a sequel to Warner Bros.'s 1921 ''Why Girls Leave Home'', which was a box office hit.〔''The American Film Institute Catalog Feature Films: 1921-30'' by The American Film Institute, c.1971〕〔(Progressive Silent Film List: ''Why Girls Go Back Home'' ) at silentera.com〕〔(The AFI Catalog of Feature Films:''Why Girls Go Back Home'' )〕
==Plot==
Marie Downey (Patsy Ruth Miller), a trusting country girl falls in love with a touring stage-actor, Clifford Dudley (Clive Brook) as his touring troupe takes up residence in the hotel run by Marie's father. Both lovestruck and stagestruck, Marie follows Clifford to old Broadway, where she ends up getting a job as a chorus girl. She tries desperately to get in touch with Clifford, but he acts as if he does not even know she's alive as he becomes a matinée idol on Broadway. Thanks to a lucky break, Marie becomes the star of the show in which she is appearing, whereupon Clifford finally acknowledges her existence. This time, however, she gives Clifford the cold shoulder then turns her back on New York and heads home (hence the title). Clifford follows her on the train, setting the stage for a tender reconciliation.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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